L’emozione astratta

L’emozione astratta

Italian Experimental Cinema (cinema d’artista italiano)
a cura di Piero Pala

 

Luigi Veronesi

Allegretto, 1950, 16mm su Beta SP, colore, 7’

Luigi Veronesi

FILM N. 9, 1943-’47, 16mm su Beta SP, b/n e colore, 4’30” 

Giovanni Martedì

 FILMS SANS CAMERA ST ST,1975,16 mm , colore, sonoro, 8’

G. Martedì, FILMS SANS CAMERA F.S.C. N°1,1974, 16 mm , colore, sonoro. 11’

Film Sans Caméra is a single sequence of images (120 metres long), produced by direct taping on a transparent support of various adhesives: this mono-image becomes a film through its projection. “Like Stan Brakhage, who glues butterfly wings or flower petals (Mothlight) upon the film, or letting them moulding freezing them then with a lacquer, also Martedi glues various pieces of colored adhesive tapes in his FILM SANS CAMÉRA F.S.C. N° 1.” (Dominique Noguez)

Giovanni Martedì

 FOOTAGE, 2008, 16mm , colore, rumore, 20’

 

Giovanna Puggioni

In/Contro /Luce,1976, 16mm , b/n, 8’

 

Crudelity Stoffe

ROMEO JULIET, 1984, Apple 2 su DVD , colore, sonoro, 18’

Adriano Abbado

KAYUPUTIH, 2008, 720p HD ready, colore, 2’54’’ (Prima assoluta)

https://www.noisegrains.com/

Luigi Veronesi (1908-1998) è stato un pittore, fotografo, regista e scenografo italiano. Autore di film sperimentali e astratti, di cui 4 completamente perduti, mentre degli altri rimangono solo brevi spezzoni non proiettabili (i primi risalenti agli anni quaranta) si cimentò anche con i film chirurgici per conto del prof. Viganò, presso il Centro Mutilati di Milano, questi ultimi film sono andati distrutti durante i bombardamenti del 1943.

Adriano Abbado has always been interested in non-verbal communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he began working with digital images and sounds.

In 1986 Adriano received a Fulbright Scholarship to study at the MIT Media Lab, where in 1988 he earned an M.S. with the thesis Perceptual Correspondences of Abstract Animation and Synthetic Sound.

He also taught Computer Graphics at IED in Milan (1983-86) and Electronic Music at the Conservatory of Turin (1985). In the spring of 2007 he taught Audiovisual Art at Media Arts and Technology – University of California, Santa Barbara.

https://www.complusevents.com/cine-experimental-italiano/