EnomisossaB – La merce perfetta, CD agosto 2012,

EU 18,00 (Nuovo- New)

EnomisossaB: voce

Riccardo Parravicini: registrazione, campionamenti

Maiu: tastiere, registrazione

Roberto Leardi: percussioni, metalli

Fausto Balbo: registrazione, bordone, emissioni otoacustiche

Alessandro Battistini: basso, bordone

Mixed by Riccardo Parravicini @ Modulo Studio recording in Cuneo

mrminio: photo outside coverFirst of all, I hate captions.“Oggi a me,  domani a te” ( “Today me, tomorrow you” ) is simply an inscription on  the gates of a cemetery beneath the Barchi Tower.The tower is  the most emblematic sign of the ninth century saracen invasion of the  Alta Val Tanaro, a remote corner of north-western Italy.The place name, Eca Nasagò, is derived from two arabian phoenemes meaning “ferocious” and “battlefield”.It’s in Ormea: a small village on the outskirts of the Piedmontese mountains, it stands above the Ligurian coastline.Ulmosciu, the local dialect, is a weird mix of Piedmontese, Ligurian, Arabian, German and French.There are no similar languages in the area.For example, the train comin’ from the plain in ulmosciu is “sbrivotzu”.Meanwhile the train goin’ down the valley is “scuriatzu”.I’ve used these two rare, unique words, connecting to southern Italian traditions.In fact, at the start of the piece, my pronunciation is Neapolitan.And I’m talkin’ about “A’ livella”, a poem wrote by Totò, one of the greatest actors of the twentieth century.So deeply ancient, early Christian-like, a marvel of our popular literature.It’s about death as a spirit level for everybody; rich and poor.The whole track is a representation of chaos, and of the entropic energy on planet earth.“La merce perfetta” is made of circles and spirals.I’ve taken the  most bitter phrases of Alberto Camerini’s “Droga”, a cut-up that I sing  in the first verses as a vocal poem then as a soul song.And by the way, It’s not about the meaning of the lyrics, but rather the sound of the words.Using the voice in this way serves to introduce the second stanza: overtunes, glossolalia, falsettos, scat, blues, etc.What I’ve sung is assaulting me from the inside.The last part, the third one, is about sound perception. Therefore we have a drone, a low-pitched bass and glitchings.The singing is  free improvisation, a fifteen minute take one. It’s not perfect (who  cares?) but it’s imbued with emotion, so groovy.The only way to finish the number before getting lost in DPOAEs…But at this point you’re as well just to listen.(EnomisossaB)

Gorilla Biscuits

Start Today

We Bite Records ‎– WB 054

Vinyl, LP, Album, Germany,1989 (with insert)

EXCELLENT RECORD CONDITION AND SLEEVE

€ 400,00

Gerardo Iacoucci

L’Avventura – N. 1

DENEB DNB 0103

EXCELLENT RECORD CONDITION AND SLEEVE

€ 300,00

Gerardo Iacoucci

I Bambini si divertono

DENEB DNB 0107

EXCELLENT RECORD CONDITION AND SLEEVE

€ 300,00

Hermann Nitsch

Sinfonia Punta Campanella

CD, 2004, Fondazione Morra

€  40,00 (NEW)

Music plays a fundamental role in the life and work of Hermann Nitsch. It has always been one of the founding elements of his Orgien Misterien Theater (Theatre of Orgies and Mysteries). The initial use of music as purely functional to action was later replaced with a necessity for autonomous composition, in which music finds its own role, independent from the theatrical sphere. Nitsch’s poetic is made up of strong contrasts where music represents the syntax of his theatre. Going through the scores it’s possible to see how the sound image guides the flow of action. The roots of this music can be traced in the excess, the scream and the uproar. The most extreme excitation is connected to the most extreme manifestation of noise.

If at the beginning of his work the casual dimension was necessary in order to discover new forms, this later becomes an integral element of the complexity of the theatrical structure. The events within the O.M. Theater consist of an aesthetic of chance but are strongly structured, and their structure is guided by a musical weave.
The Punta Campanella Symphony is a clear example of an expression of the autonomous activity of Nitsch the composer. Here it is possible to see all the fundamental elements of his poetics. The aesthetic and Dionysian dimension are clearly announced by the continuous play of construction and destruction of musical forms. The highly dramatic dimension is rendered extreme by the extended crescendo and by a play of contrasts which go from chiarissimo to scurissimo.
Performed by Orchestra Xenarmonica del Conservatorio di Palermo including more than 40 musicians plus local folk bands, this Symphony in four movements was recorded during the World Premiere on September 22, 2004 at Punta Campanella, Naples, in front of the Capri Island at sunset.
This set comes in a luxury full colour digipack and slipcase, including a 28 pages booklet with photos from the event, scores as well as two essays titled “The O.M. Theater’s Music” and “Punta Campanella Symphony”. Privately issued by the art gallery that organised the performance in order to document the event.

The Maytals Never Grow Old, Presenting The Maytals

Studio One, JBL 113, Jamaica, 1963

Produced by C. S. Dodd – coxSone

Very Good Plus RECORD CONDITION AND SLEEVE

€ 1.500,00

Peter Mettler

GAMBLING, GODS AND LSD SOUNDTRACK

CD € 35,00 (NEW)

Featuring original music by Peter Bräker, Fred Frith and DJ Dimitri de Perrot. Also music by Henryk Gorecki, Jim O’Rourke and others.

Limited quantity, no repress.

MODERN ART TRIO

Vedette Records ‎– VPA 8434, 1978

Very Good Plus RECORD CONDITION AND SLEEVE

€ 700,00

• Design [Cover] – Domizia Gandolfi
• Double Bass – Bruno Tommaso
• Drums, Trumpet, Whistle [Songwhistle] – Franco Tonani
• Engineer [Sound Engineer] – Paolo Ketoff
• Piano, Electric Piano, Soprano Saxophone – Franco D’Andrea
• Producer – Alberto Alberti

Recorded at Soundworkshop, Rome on April 17 & 19, 1970.
Originally released in 1970 on Vedette VSM 385454.
License courtesy of Vedette Records – Italy.
A very special thanks goes to Sergio Sciascia at Vedette Records.

New Trolls

Concerto Grosso Per I New Trolls

Cetra ‎– LPX 8, 1971
Vinyl, LP
Very Good Plus RECORD CONDITION AND SLEEVE
€ 300,00

N.W.A
STRAIGHT OUTTA COMPTON

Priority Records – Ruthless Records, 1988

SL 57102

Very Good Plus RECORD CONDITION AND SLEEVE

€ 1.500,00

The Original Skatalites Ska Authentic

Studio One, 1967, Jamaica , sol 9006

Very Good Plus RECORD CONDITION AND SLEEVE

€ 1.000,00

The Ceyleib People

Tanyet

Recorded by VAULT Records, Los Angeles, 1968

Produced by Mike Deasy for Wednesday Child Productions

Recording engineer: Joe Osborn

Cover painting by Ida and Rick Griffin

Sonic Youth

Goo, 1990

DGC 24297

Vinyl, LP, Album, US

Barcode (Printed): 0 7599-24297-1 9

EXCELLENT RECORD CONDITION AND SLEEVE

€ 1.000,00

SOUNDWALK

Each SoundWalk is 50 minutes of walking adventure through a neighborhood, guided by a local personality, packed full of interviews and cinematic sound effects. SoundWalks are living documentaries about the city, but instead of experiencing it through the remoteness of your TV, you will savor the city in its reality.

New York: CHINATOWN Audio CD, 2003

This walking tour gives you the inside scoop on Chinatown’s opium dens, sweatshops, Buddhist Temples, Chinese Mobsters, and more.” –publisher’s summary

New York: Lower East Side Audio CD, 2003

 “…If you can’t make the trek to New York City, this is the closest you can come to first-hand experience of the sights, sounds, and personalities of the Lower East Side… Guided by a local personality [Jami Gong], packed full of interviews, insights, recollections, and cinematic sound effects…” publisher’s summary

Each CD € 800,00 NEW (wrapped first edition)

The Velvet Underground & Nico

Down For You Is Up

LP Easy Flyte Records ‎– Flight 101

EXCELLENT RECORD CONDITION AND SLEEVE

€ 300,00

Recorded live in Cleveland the 4th of November 1966.
The record is inside the left page of the fold out sleeve. The right page reads “Down for you is up”, tracklist, and “For promotional use – Not for sale”. Back cover has an Easy Flite logo. The sleeve cardboard is strong.

LONTANO Homage to Giacinto Scelsi    € 30,00 (CD Nuovo- New)

With: Sebastien Roux/EddieLadoire, Rafael Toral, Elio Martuscello, David Toop, Skoltz-Kolgen, Scanner, KK NULL, Alvin Curran, Efzeg, Eddie Prevost/John Butcher, Lawerence English, Rhodri Davies/Joe Williamson/Stefano Tedesco, Oliva Block

Second Limited Edition – June 2010
Printed in UK – 300 numbered copies
Cover by Riccardo Arena

This compilation is conceived, curated and produced by Stefano Tedesco

**SMALL VOICES – picture disc Limited Edition of 150 hand-numbered copies.

Tin Toy ‎– Hello, World! Vinyl, 7″, 33 ⅓ RPM, Picture Disc, Limited Edition, Numbered Italy 2003

EU 40,00 (Nuovo- New)

Tracks

• Photography By [Inlay Card Photo By] – Massimo Drago
• Sounds [All Sounds] – Cesare Marilungo

LU – Done With A Space-Biter Vinyl, 7″, 33 ⅓ RPM, Picture Disc, Limited Edition, Numbered Italy 2003

EU 40,00 (Nuovo- New)

Tracks

• Music By, Artwork – Gianluca Porcu
• Photography By [Inlay Card Photo By] – Massimo Drago

It ‎– Displaced Vinyl, 7″, 33 ⅓ RPM, Picture Disc, Limited Edition, Numbered Italy 2003

EU 40,00 (Nuovo- New)

Tracks

• Layout – M.H. Graphicks
• Photography By [Inlay Card Photo By] – Massimo Drago
• Photography By [Photo Picture Disc] – The Consumer (2)
• Written-By, Producer [Produced By] – Ivan Fusco

Asaf 288 ‎– Dublay Vinyl, 7″, 33 ⅓ RPM, Picture Disc, Limited Edition, Numbered Italy 2003

EU 40,00 (Nuovo- New)

tracks

• Photography By [Inlay Card Photo By] – Massimo drago
• Recorded By, Producer [Produced By] – Simone Balestrazzi

per ordini / to orders: info@complusevents.com / +39 333 735 89 83